Wood? Not Wood!

Real vs Fake

Wood/Not Wood

Real Fake Wood on Wall

Leftover Foam, Bark, Oil Paper


Professor: Andrew Zago

Class: SCI-Arc - Spring 2019- Visual Study

Team: Yibo Qiao, Andrew Stone, Yangfan, Pedram Didipour

 

The project will examine large-scale wood members and test their assembly through ungainly joinery. Wood/Not Wood is the title of a related pictorial essay, edited by Andrew Zago, exploring a long-running art project by artist and architect Sean Briski. Briski traces the cultural impulse for authenticity (and its unraveling) though a series of curated wood, and wood-like, thrift-store objects. A meditation on certain ideals in American popular culture, This project establishes a series of possible positions in a field defined by values like real, fake, ironic, handmade, functional, and sculptural.

 
ANDREA BRANZI | PLANK CABINET 12014PATINATED AND POLISHED ALUMINIUM, WOOD AND SPRAY PAINTH180 L240 W35 CM / H70.9 L94.5 W13.8 IN

ANDREA BRANZI | PLANK CABINET 1

2014

PATINATED AND POLISHED ALUMINIUM, WOOD AND SPRAY PAINT

H180 L240 W35 CM / H70.9 L94.5 W13.8 IN

Authentic vs Fake

Authentic vs Fake

sculptural vs functional

sculptural vs functional

natural vs technology

natural vs technology

Splatter Chair  | Richard Artschwager1992Enamel on wood and formicaOverall 53 x 42 1/8 x 38 3/4" (134.6 x 106.9 x 98.4 cm) © 2021 Richard Artschwager / Artists Rights Society (ARS), New York

Splatter Chair

1992

Richard Artschwager

 

Fake? Real?

  • Fakeness

    Sun, rain, moisture, and some magic from chemistry give the foam a woody texture, which is the fakeness of wood in the project. However, this uniqueness requires time, which is similar to wood. Is this really the fake wood?

  • Realness

    Bark comes from the real wood. Oil-paper also comes from real wood. Those materials bring realness to the corner of the project. However, it needs a lot of processes between raw material and bark. Could this be called real?

  • Real? Fake?

    Light and view angle brings another layer of information to the project. Bark and oil-paper are glued to the edge in an oblique way, which gives the project a fake shadow. The real shadow comes from the thickness of the material. Wood? Not wood!

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